26th Anniversary Weekend Hole in the Wall, June 18-20
Even if they put in a Galleria downtown and finally finish tearing
up South Congress, two things will never vanish from Austin: the
Hole in the Wall and truck driving songs. Whiskey makes three. The
Ex-Husbands rolled into town on Friday at about half past Jim Beam
and stayed 'til a quarter past "Johnnie Walker Redneck." Blasting
hard-boiled honky-tonk hell-raisers like Chris Rock cussing a blue
streak, the scraggly Nashville trio betrayed more debt to ZZ Top,
AC/DC, and Black Sabbath (even doing "War Pigs") than the dearly
beloved Grand Ole Opry, but still found room to work in Bill Monroe's
"Uncle Pen" and Billy Joe Shaver's timeless chaser "Georgia on a
Fast Train." Breaker, breaker, here comes "Truck Drivin' Man." Ten-four,
good buddy, got that cup of coffee all ready; how 'bout a little
"Eastbound & Down" and watch old Bandit run? Perfect. And even after
all that, the most indelible song was one of their own, "Off the
Wagon," a brilliant ode to whiskey, wild women, and everything else
worth writing a song about -- even the dire consequences of such
backwoods bacchanalia. Said consequences finally wore off Saturday,
in time to witness Oklahoma's Billy Joe Winghead leveling the Hole
like one of the Sooner state's patented Category 5 tornadoes. A
sort of Iggy & the Strangers, Winghead squeezed five guys, several
guitars, and a theramin onto the minuscule stage, and plenty of
pent-up road rage and trailer-park temerity into selections from
their new Be Your Own Boss CD. Afterward, some in the bursting room
could still actually hear, but the Sons of Hercules took care of
that. San Antonio's finest laid to rest any lingering plans for
Sunday afternoon with a crude, exquisite set that mixed in old favorites
like "Used to Be Cool" and "Too Late" with brash new ones from the
Get Lost CD. The resulting tinnitus finally cleared up not long
after the Astros beat Montreal Sunday, so it was down to the Free
For All for one more night of insanity, and of course more truck
driving songs. The usual debauchery was a little slow in starting,
due to Choking Ahogo's overly introspective collegiate rock, which
could use less pondering and more melody; and Troy Young Campbell,
who writes impeccably crafted, literate songs more suited to the
Cactus Cafe or Flipnotics. But things were bound to right themselves,
and did so once the mysterious Honky Tonk Man and a motley group
of musicians (Jon Sanchez, Scrappy Jud Newcomb, Cotton Mather's
Dana Myzer) made their way onstage and sounded the familiar lead-in
to "Six Days on the Road." They followed up with a sassy "Baby What
You Want Me to Do" and an absolutely s-s-seething "Burning Love,"
firmly re-establishing the truckers' supremacy. The mellow locals
of Lil Cap'n Travis were up next, their hardcore country by way
of Brian Wilson, Lou Reed, and the Orange Mothers sounding mighty
fine on "Flattened by the Good Times," "Rodeo Clown," an affecting
cover of George Jones' immortal "Loving You Will Never Be Better,"
and -- naturally -- "Truck Driving School." It was up to Superego
to close out the weekend, and they delivered, even though "Two Tickets
to Paradise" was as close as they ever came to a trucking song.
Nevertheless, they evoked past Hoot Night honorees Tom Petty and
Neil Young on the new "Lack of Experience" and "Nothing in Return,"
and had the whole joint rockin' with choice selections from their
bottomless grab bag of covers, this time the Who's "The Kids Are
Alright" and the Replacements' "Can't Hardly Wait" (sadly, there
was no "Convoy"). When the lights came up, Superego launched into
Roky Erickson's "You're Gonna Miss Me," and another year passed
into the books. Erickson's jagged sentiments don't even begin to
cover the void that would exist should the Hole ever get filled
in, so here's to at least 26 more years of truckin' for Texas' rowdiest,
raunchiest historical site. -- Christopher Gray
Original Article at
http://www.austinchronicle.com/issues/vol18/issue44/music.liveshots.html
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