Daily 
                Texan: Mannish Boys' hardcore electric blues provide 
                great 
              BYLINE LEE NICHOLS - 07/11/1988
               As I walked into Hole in the Wall July 2, the Mannish Boys were 
                just cranking into Muddy Waters' I'm a Man. That's a damn fine 
                way to start an evening. The Mannish Boys immediately proceeded 
                to impress a blues-hungry crowd by handling the song the way it 
                should be dealt with - loud and raunchy, with a heavy rhythm and 
                screaming guitars. Muddy would have wanted it that way. If originality 
                is what you're looking for, the Mannish Boys aren't the band for 
                you. But if you want hard-rocking blues, then this increasingly 
                popular Austin quartet should be the fix you need. The Mannish 
                Boys are what the Fabulous Thunderbirds should have been. Until 
                the T-Birds accidentally hit it big with Tuff Enuff, they were 
                everybody's favorite white-boy blues band. But then they found 
                that crap sells and started putting on record. Therefore, the 
                Mannish Boys should be the heirs to the throne. Like the T-Birds, 
                they certainly won't fool you into thinking they're black. But 
                that doesn't mean they can't blast the blues. All four of these 
                musicians have talent, and they understand what the electric blues 
                pioneers were trying to do. The driving force of this band is 
                vocalist Gary Primitch, who also plays lead guitar and harmonica. 
                He is superb at all three. His singing is full and rich, the hairy-chested 
                kind of vocals that an electric blues band needs. On guitar, he 
                plays the screaming type of licks that Austin guitarists are famous 
                for. Sure, Stevie Ray Vaughan and Albert Collins have done it 
                before, but good guitar is still good guitar, even if it's the 
                second time around. His treatment of early Freddie King instrumentals 
                was perfect. Primitch's harp is also very good. He has a long 
                way to go before he can match the T-Birds' Kim Wilson, but the 
                crowd felt inclined to applaud more than one of his solos. The 
                band gave Primitch solid backing. Rhythm guitarist Gil Hartman 
                and drummer Kenny Felton provided a full sound without being noisy, 
                and Frankie Meyer's basswork is more than competent. He also played 
                the rarely-seen standup bass, a great instrument that more bands 
                should return to. The Mannish Boys have an album in the stores, 
                A Lil' Dab'l Do Ya, released about a year ago, and the upcoming 
                Satellite Rock should be out August 1. If the albums match up 
                to the group's live performance, blues fans should find them worth 
                putting down a little money for. Don't expect the Mannish Boys 
                to be famous. They are definitely a bar band - although a "bar 
                band" in this town is nothing to turn one's nose up at - and their 
                lack of an original sound will hold them down commercially. But 
                if it's a Saturday night and you want to dance to some heavy guitar 
                music, find out where these guys are playing. You won't be disappointed.