Daily
Texan: Mannish Boys' hardcore electric blues provide
great
BYLINE LEE NICHOLS - 07/11/1988
As I walked into Hole in the Wall July 2, the Mannish Boys were
just cranking into Muddy Waters' I'm a Man. That's a damn fine
way to start an evening. The Mannish Boys immediately proceeded
to impress a blues-hungry crowd by handling the song the way it
should be dealt with - loud and raunchy, with a heavy rhythm and
screaming guitars. Muddy would have wanted it that way. If originality
is what you're looking for, the Mannish Boys aren't the band for
you. But if you want hard-rocking blues, then this increasingly
popular Austin quartet should be the fix you need. The Mannish
Boys are what the Fabulous Thunderbirds should have been. Until
the T-Birds accidentally hit it big with Tuff Enuff, they were
everybody's favorite white-boy blues band. But then they found
that crap sells and started putting on record. Therefore, the
Mannish Boys should be the heirs to the throne. Like the T-Birds,
they certainly won't fool you into thinking they're black. But
that doesn't mean they can't blast the blues. All four of these
musicians have talent, and they understand what the electric blues
pioneers were trying to do. The driving force of this band is
vocalist Gary Primitch, who also plays lead guitar and harmonica.
He is superb at all three. His singing is full and rich, the hairy-chested
kind of vocals that an electric blues band needs. On guitar, he
plays the screaming type of licks that Austin guitarists are famous
for. Sure, Stevie Ray Vaughan and Albert Collins have done it
before, but good guitar is still good guitar, even if it's the
second time around. His treatment of early Freddie King instrumentals
was perfect. Primitch's harp is also very good. He has a long
way to go before he can match the T-Birds' Kim Wilson, but the
crowd felt inclined to applaud more than one of his solos. The
band gave Primitch solid backing. Rhythm guitarist Gil Hartman
and drummer Kenny Felton provided a full sound without being noisy,
and Frankie Meyer's basswork is more than competent. He also played
the rarely-seen standup bass, a great instrument that more bands
should return to. The Mannish Boys have an album in the stores,
A Lil' Dab'l Do Ya, released about a year ago, and the upcoming
Satellite Rock should be out August 1. If the albums match up
to the group's live performance, blues fans should find them worth
putting down a little money for. Don't expect the Mannish Boys
to be famous. They are definitely a bar band - although a "bar
band" in this town is nothing to turn one's nose up at - and their
lack of an original sound will hold them down commercially. But
if it's a Saturday night and you want to dance to some heavy guitar
music, find out where these guys are playing. You won't be disappointed.